1.

De musica disserenda

A member of the programme group J. Snoj is the editor-in-chief of the international musicological journal De musica disserenda.

C.04 Editorial board of an international magazine

COBISS.SI-ID: 222620160

2.

Who was Antonio Tarsia and from whom did he learn how to compose?

Antonio Tarsia, a noble citizen of Koper, was a composer of 26 known sacred works that he composed during his service as a organist at the Cathedral of Koper between 1660 and 1722. He abundantly copied earlier Venetian music and probably learnt compositional techniques through practical work, especially organising church performances. Among his major models seem to be works by Giovanni Antonio Rigatti, Giovanni Legrenzi and others. The models for Tarsia's allegedly earliest work, a sacred dialogue, are however to be sought in printed examples by Gasparo Casati and Carlo Grossi. It seems that Tarsia was nevertheless also involved in secular music culture in Koper.

B.03 Paper at an international scientific conference

COBISS.SI-ID: 34468653

3.

Monumenta artis musicae Sloveniae

Metoda Kokole je bila v letu 2012 urednica mednarodne serijske publikacije Monumenta artis musicae Sloveniae, ki objavlja znanstvenokritične izdaje del skladateljev, povezanih s slovenskim prostorom. Monumenta artis musicae Sloveniae imajo mednarodni uredniški odbor.

C.04 Editorial board of an international magazine

COBISS.SI-ID: 16587010

4.

Josip Mantuani award

A member of the programme group J. Snoj won the Josip Mantuani award for his life work. The prize is awarded by the Slovenian musicological society.

E.01 National awards

5.

Giovanni Gabrieli's style echoed in music produced in the first quarter of the seventeenth century on the territory between Koper/Capodistria and Graz

Razprava prikazuje doslej nepoznani aspekt baročnih glasbenih praks na Slovenskem.

B.04 Guest lecture

COBISS.SI-ID: 34997037