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Projects / Programmes source: ARIS

Digital Presentation of the Long-Sixteenth-Century Church Music Connected to Carniola

Research activity

Code Science Field Subfield
6.08.00  Humanities  Musicology   

Code Science Field
6.04  Humanities  Arts (arts, history of arts, performing arts, music) 
Keywords
digital humanities, music technology, Slovenian cultural heritage, 16th-century music, church music
Evaluation (metodology)
source: COBISS
Organisations (2) , Researchers (13)
0618  Research Centre of the Slovenian Academy of Sciences and Arts
no. Code Name and surname Research area Role Period No. of publicationsNo. of publications
1.  32866  Tonja Čakš    Technical associate  2022 - 2024 
2.  53501  Jana Erjavec  Musicology  Young researcher  2020 - 2023  38 
3.  31215  PhD Klemen Grabnar  Musicology  Head  2020 - 2024  125 
4.  53698  Lucija Herga    Technical associate  2020 - 2024 
5.  13137  PhD Metoda Kokole  Musicology  Researcher  2020 - 2024  440 
6.  26012  PhD Mojca Kovačič  Ethnology  Researcher  2020 - 2024  323 
7.  54843  PhD Marko Motnik  Musicology  Researcher  2021 - 2024  122 
8.  19466  PhD Urša Šivic  Ethnology  Researcher  2020 - 2021  432 
9.  27509  PhD Katarina Šter  Humanities  Researcher  2020 - 2024  459 
0581  University of Ljubljana, Faculty of Arts
no. Code Name and surname Research area Role Period No. of publicationsNo. of publications
1.  23445  PhD Katarina Bogunović Hočevar  Musicology  Researcher  2022 - 2024  64 
2.  13612  PhD Aleš Nagode  Musicology  Researcher  2020 - 2024  350 
3.  21771  PhD Gregor Pompe  Musicology  Researcher  2020 - 2024  372 
4.  32212  PhD Nejc Sukljan  Musicology  Researcher  2020 - 2024  90 
Abstract
The proposed research project will have two main aims. The first will be the development of the digital platform and publishing two digital editions of music monuments from the Slovenian and European cultural heritage and the second will be the study of yet poorly researched special topics within the history of the Central-European long-sixteenth-century music connected to the Slovenian lands. However, the central and most useful part of the project for music historians, music theorists, musicians and general public will be two pilot music editions – digital critical editions, performance materials and scholarly texts on composers and published compositions. In parallel, in-depth research will be carried out in the form of case studies dedicated to known – and maybe also newly found – lacunae in general or Slovenian research on sixteenth-century sacred and church music. The proposed project will bring also the following socio-economic and culturally relevant achievements: an exhibition, a public concert performance with a pre-concert talk, an experimental music workshop, and an international round table.
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